JES REYES
  • Home
  • Shop

Women cinemakers

3/25/2018

0 Comments

 
Picture
I am thrilled to announce that my short film Beneath the Skin has been selected to participate in WomenCinemakers Biennial Edition, a magazine that features work from independent women filmmakers from around the world. They will also include coverage on Drawing in the Moment (made in collaboration with artist Anita White) and The Wind of Our Body (made in collaboration with poet Katie Rensch). 

I will make sure to share my interview when the issue is published! 

Read past issues of WomenCinemakers here: http://womencinemakers.com/.

They are based out of Berlin.

As for now, you can view Beneath the Skin here.

0 Comments

Notes from my studio day

3/18/2018

0 Comments

 
Today is Sunday and it is my studio day. I thought I would share some notes from my studio as I have a lot on my mind and am working on a few new things.
Picture
For someone who is busy between arts administration, teaching, and personal time, I have to block out my time to be in my home studio. Sundays are my day where I like to hunker down in my space, explore, and make progress. Depending on priorities related to current projects, I may work on promotions (like writing this blog post!), document my art, paint, write poetry, or edit my films. I will also cuddle with my cats and dog. They like to be wherever I am. If I am in my studio so are they. 
Picture
Eno, my two year old cat, likes to lay right next to my wet paint. This always make me anxious and he won't let me move him!

One of my goals for 2018 is to paint my studio white.  ​Currently, my walls are forest green. It's a relaxing color, but way too dark. It is time for a change and I know the white paint will definitely brighten up the space! I only have one window in the room and it doesn't give me a lot of natural light so I need the white walls to help with increasing light reflection. The green right now just absorbs darkness. 
Picture
For my studio time today, I have a list to prep some work, document, reflect, and promote. Each part in my list is super important, because I am currently prepping for multiple shows this year. First up is the ​St. Paul Art Crawl, which is next month! I will also be displaying work this summer at Workhorse Coffee Bar.  The art pictured above and below is a peek into what kind of work I will be showing. 
Picture
The most vital part to making my paintings happens to be the first part, which is the prepping of the grid. It is essential to the overall piece. If I don't have the grid, I won't have anything to explore. Most of the time, I start my work on paper with liquid watercolor and a pipette. I have experimented with other surfaces, but I am most happy with working on paper. Pipettes have become an important tool for me as they give me more control when applying the paint to the paper. Once in a while, I may prep my paper with a wash to create an under painting.

After I set my grid, I let the piece dry. I come back to it, usually the next day to see if I want to add more lines to the grid. Once I feel the outline is ready, I decide on my color palette. Color is important to me and I like to decide on which ones I will be working with before I start filling in the grid. This helps with getting into a flow state, where I can concentrate on the work before me, rather than being interrupted by searching for a tube of paint to choose from. Picking the colors ahead of time saves a ton of time! I also feel selecting colors first helps strengthens color harmony and overall composition. 

For a painting between 16x20 and 22x30, the work generally takes six to eight hours to complete...over a certain amount of time. I may incorporate acrylic in the work, or graphite, charcoal, or ink. Then when it’s all done I seal it with an archival UV coating.
​
This video below documents how I have started my color grids in the past. I made this while completing the Hinge Arts Residency during February 2017.

February 2, 2017 from jes reyes on Vimeo.

I am moving on to my next painting today. Here is my next color grid. I can't wait to start on it! ​
Picture
One thing I do on Sundays that is art related that doesn't happen in the studio is how I spend an extended amount of time in bed during the morning. Yep, I love coffee and relaxing in bed. Usually there is the newspaper, my laptop, my dog, and my husband keeping me company. Sometimes I am updating my website during this time, researching, writing a grant application, organizing files, or applying to a call for art. It is actually precious time for me. I find it so relaxing. If I give myself this time, I feel grounded for the rest of the week.

How do you spend your Sunday mornings? Do you do art? Read the paper? Take a walk? Call your mom? I am curious!
0 Comments

    Subscribe to receive my e-newsletter:

    * indicates required
    / ( mm / dd )

    Archives

    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    September 2016
    August 2016
    April 2016
    February 2016
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    May 2015
    April 2015

    Categories

    All
    Altered Esthetics
    Curatorial
    Film/video
    Photography
    Spectrum Artworks

    RSS Feed

  • Home
  • Shop